How can the post-apocalyptic, Simpsons-obsessed world of Anne Washburn's Mr. Burns be appropriately expressed in a theater that seats a hundred? How can the set of J.M. Barrie's The Admirable Crichton effectively and efficiently transform from the stuffy, rigid interior of Loam House, Mayfair, to a deserted tropical island in the Pacific? How can Shakespeare's As You Like It be elevated by a setting that both evokes the play's Globe beginnings and reflects the modern relevance of the work?
A lot of people grow up with dreams of being an actor. I am . . .
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